Prog Rock Volume 1

Prog Rock Volume 1

What's included

  • All tab
  • Chords
  • Chart
  • Guitar pro files

$19.98

Full Lifetime Access to this package


Some of the greatest music of the late 1960s and early 70s was created and produced by bands that fall into the Progressive Rock category. Some of the items that put songs in this world include- extended and experimental compositions, complex harmonies and arrangements, classically influenced themes and techniques, and frequently a high level of virtuosity on the part of the musicians. The two best-known purveyors of the style were probably Yes and Emerson, Lake & Palmer.

Both featured keyboard wizardry at the hands of Rick Wakeman and Keith Emerson, dynamic bass players in Chris Squire and Greg Lake, drummers at the top of the percussion world in Bill Bruford and Carl Palmer, strong and distinctive vocalists with Jon Anderson and Lake (who was also a great acoustic guitarist), and of course Yes had one of the most astonishing guitarists of our time with Steve Howe.

Other pioneering bands for the genre would include King Crimson (with Lake on bass and vocals), and The Nice, which is where Keith Emerson started experimenting with classical themes and extended solo sections. The early days cannot be brought up without mentioning Genesis and Gentle Giant, as they were also very important in the evolution of the style. Most Prog-Rock tunes feature complex layers of instruments and parts that really require a talented ensemble to reproduce but many songs have interesting and playable sections that can be done by a solo guitarist. This set of lessons contains exactly that and represents a range of different sub-genres.

This pack also contains songs by Camel, Renaissance, Caravan and PFM.

Lessons

  • Lesson 1: Ocean Gypsy - Guitar Lesson

    As many of you know, Neil has quite an attraction to classic progressive rock, particularly that which falls into the 'symphonic' category. Renaissance would be the band he most closely identifies with in that genre and today we are bringing you a strumming version of one of only a few songs of theirs that can be done in an almost 'campfire' style. Ocean Gypsy was released on their 1975 album Scheherazade And Other Stories. The song features a complex chord progression and a classical solo piano section but can be strummed and sung with a little alternate picking in the intro.

  • Lesson 2: River Of Life Guitar Lesson

    *River Of Life*is Progressive Rock tune from the Italian band PFM. This lesson goes over the introduction, which is really a short classical guitar piece that becomes Baroque like with the addition of piano, bass and flute or violin (depending on the band line up at the time).

  • Lesson 3: In The Land Of Grey And Pink - Guitar Lesson

    *In The Land Of Grey And Pink*is a tune from Caravan, a progressive band that falls into the Canterbury sub-genre. This style features some jazzy elements, frequently with unusual chords/progressions and somewhat whimsical lyrics. It is mostly a strumming song but includes an intro that uses some 3-string chord shapes moving up the neck, along with a percussive strumming pattern.

  • Lesson 4: Epitaph

    King Crimson is one of the bands that can be credited with being one of the creators of the Prog-Rock genre. Their first album, In The Court Of The Crimson King featured *Epitaph*, sung by original bassist Greg Lake. This lesson goes over the basic chord progression, adds some arpeggio picking, and includes a look at common variations on some of the chords.

  • Lesson 5: Never Let Go - Guitar Lesson

    Camel was a band consisting of Andy Latimer on guitar and Peter Bardens on keyboards, along with Doug Ferguson on bass and Andy Ward on drums. Their first album came out in 1973 and included *Never Let Go*, a song that almost became a hit for them. It opens with a cross-picked arpeggio before settling in to a solid rock tune with a catchy melody. It included a well worked out solo section, which is part of what makes it a Prog-Rock tune. This lesson looks at the rhythm guitar parts as well as the intricate intro.

  • Lesson 6: The Court Of The Crimson King - King Crimson - Guitar Lesson

    King Crimson's 1969 debut album was one of the first that started defining progressive rock. The pieces featured extended arrangements with instrumental sections.

    Greg Lake has been reviving some of these songs in recent years so it seems like appropriate to take an acoustic look at the title tune.

    The lesson includes many different techniques: arpeggio cross-picking, hybrid picking (using a pick and fingers), harmonics, picking a simple melody out while strumming, and playing parallel octaves while muting all the other strings.

  • Lesson 7: I Talk To The Wind - King Crimson - Guitar Lesson

    Another great song from the first King Crimson album, I Talk To The Wind has been brought back to life by Greg Lake recently, as well as a Crimson alumni band with Steve Hackett.

    Greg’s versions have featured a simple arpeggio guitar accompaniment, which I expect students to listen to before looking at the attachments to this lesson in order to take the ear-training approach.

    The lesson goes over that approach, as well as looking at a little jazzier version, more like the original. There is also a discussion about the key signature, which is very unusual.

  • Lesson 8: Franco Mussida – Leonardo’s Dream - PFM - Guitar Lesson

    The guitarist in PFM was Franco Mussida from their start in the 1960s until 2015. He wrote many classically influenced pieces over those years. In 2006 they released Stati Di Imaginazione whick included the beautiful instrumental ballad Il Sogno Di Leonardo (Leonardo’s Dream).

    The piece opens with a solo guitar section before heading into more orchestrated parts. In this arrangement I tried to incorporate as much of the original as possible and create a compelling solo version.

    It is very slow but may prove to be deceptively difficult in terms of making it flow seamlessly. There are quite a few technical challenges and advanced techniques as well but a patient and diligent approach should prove very rewarding for anyone looking for a challenge.

    We continue the lesson on Franco Mussida’s piece Leonardo’s Dream with Section B. The music has been modified since the first post so be sure to download the tab again if you did earlier.